PETALS 1988 Poster | Yayoi Kusama Poster | Yayoi Kusama Prints

PETALS 1988 Poster | Yayoi Kusama Poster | Yayoi Kusama Prints

21x29.7 cm / 8x12"
Sale price  $99.99 Regular price  $139.99
Skip to product information
PETALS 1988 Poster | Yayoi Kusama Poster | Yayoi Kusama Prints
1/6

PETALS 1988 Poster | Yayoi Kusama Poster | Yayoi Kusama Prints

Sale price  $99.99 Regular price  $139.99
Size

PETALS 1988 Poster: A Yayoi Kusama Masterpiece of Repetition and Infinity

Yayoi Kusama's PETALS 1988 is a mesmerizing exploration of repetition, infinity, and the organic world. Created during a pivotal period in her career, this artwork showcases her signature polka dots and undulating forms that seem to pulse with life. As a leading figure in contemporary art, Kusama's work transcends boundaries, and this poster captures the essence of her visionary genius.

Our museum-quality reproduction is printed on Master's Edition archival paper, an off-white, uncoated paper that offers a luxurious matte finish. With a weight of 250 gsm and thickness of 0.29 mm, this acid-free paper (pH above 7) ensures your print remains vibrant and free from yellowing for generations. Available in 4 sizes, each print is crafted on FSC-certified sustainable paper, reflecting our commitment to both art and the environment.

Whether you're a seasoned collector or a new admirer of Kusama's work, this fine art print invites you to experience the infinite repetition that defines her oeuvre. The PETALS 1988 poster is more than decoration; it's a portal into Kusama's world of obsessive beauty and boundless imagination.

Elevate your space with this archival masterpiece from Yayoi Kusama Prints, where each reproduction is crafted to museum standards, ensuring enduring beauty and inspiration.

You may also like

What is the significance of the PETALS 1988 artwork?

PETALS 1988 exemplifies Kusama's obsession with repetition and infinity, using organic petal forms to create a sense of endless proliferation, a hallmark of her iconic style.

What are the paper specifications of this Yayoi Kusama poster?

Our Master's Edition paper is matte, uncoated, off-white, acid-free, 250 gsm, 0.29 mm thick, and FSC-certified for sustainability.

Are the colors in the print accurate to the original artwork?

Yes, we use high-resolution scanning and color calibration to ensure museum-quality reproduction that faithfully captures Kusama's vibrant palette.

What sizes are available for the PETALS 1988 poster?

We offer 4 sizes to suit various spaces, from intimate corners to large galleries. Please check our product page for exact dimensions.

Is the paper acid-free and archival?

Absolutely. Our paper is acid-free with pH above 7, preventing yellowing and ensuring your print lasts for generations.

How should I care for my Yayoi Kusama print?

Display away from direct sunlight, handle with clean hands, and consider framing under UV-protective glass to preserve its brilliance.

What is your return policy for damaged prints?

We offer a free return or replacement if your item arrives damaged. Contact us within 7 days of delivery with photos of the damage.

Is the packaging eco-friendly?

Yes, we use sustainable, recyclable materials to protect your artwork and the environment.

Can I frame this print myself?

Certainly. The standard sizes allow for easy framing with ready-made frames. We recommend professional framing for best results.

What makes Yayoi Kusama Prints different from other sellers?

We prioritize archival quality, sustainability, and art historical accuracy, ensuring each print meets museum standards.

What was happening in Kusama's career around 1988?

In the late 1980s, Kusama was gaining renewed international recognition, solidifying her status as a pioneering contemporary artist.

What techniques did Kusama use in works like PETALS?

Kusama often employed repetitive brushstrokes and polka dots to create hypnotic, immersive fields that challenge perception.

How does PETALS 1988 fit into Kusama's overall oeuvre?

It reflects her lifelong themes of infinity, accumulation, and the blurring of self, central to her artistic philosophy.